YOJANA November 2025
The following topics are covered in the YOJANA November 2025:
Chapter 1: Evolution of Indian Cinema
Cinema—often called the seventh art—combines elements of painting, sculpture, architecture, literature, theatre, and music to create a powerful medium for expression.
- Emerging at the end of the 19th century, cinema grew into an accessible and inexpensive mass medium. India today produces the highest number of films in the world, across languages and regions.
Early Beginnings (1896 – 1940s)
Birth of Indian Cinema
- 1896: Lumière Brothers’ films were first screened in Mumbai.
- Late 1910s: India witnessed its first motion picture.
- Dhundiraj Govind Phalke (Dadasaheb Phalke) introduced the film Raja Harishchandra, the first silent film.
- → He is known as the Father of Indian Cinema.
- Alam Ara (1931), directed by Ardeshir Irani, became India’s first sound film.
- 1918: Indian Cinematography Law passed for licensing cinema halls and censoring films. → Boards of censors were formed in provinces from 1920.
- 1937: Kisan Kanya by Moti B. Gidwani became India’s first colour film.
Important Early Milestones
- First Cinemascope film: Kagaz Ke Phool (1959) – Guru Dutt
- First 70 mm film: Around the World (1967) – Raj Kapoor
- First Sanskrit film: Adi Shankara – G. V. Iyer
- First Indian 3-D film: My Dear Kuttichathan (Malayalam)
The “Golden Era” & Parallel Cinema (1940s–1960s)
- The post-Independence era marked the Golden Age of Indian cinema.
Parallel Cinema / New Indian Cinema
- Originated in West Bengal in the 1950s.
- Inspired by Italian Neo-Realism; precursor to the Indian New Wave.
- Key figures: Satyajit Ray, Ritwik Ghatak, Mrinal Sen.
- Characteristics:
- Serious themes, realism, naturalism
- Sociopolitical issues
- Rejection of formulaic song-dance
- Notable works: Savkari Pash, Duniya Na Mane.
Global Recognition
- Satyajit Ray becomes one of the most internationally acclaimed filmmakers.
- Indians who won Oscar: Bhanu Athaiya, Satyajit Ray, Resul Pookutty, A.R. Rahman, Gulzar.
Social Realism to Cultural Transition (1950s–1990s)
1950s–60s: Nationalism & Realism
- Haqeeqat depicted experiences of soldiers during the Sino-Indian War.
- Do Bigha Zamin highlighted rural distress.
- Ray’s Pather Panchali showed rural Bengal’s hardships.
- Dahej, Devi portrayed women’s limited agency.
1970s: Angry Young Man & Emergency Era
- Themes of social injustice, unemployment, corruption.
- Mrinal Sen’s Calcutta 71 reflected Naxal-era turmoil.
- Parallel cinema expanded through films like Manthan, Sparsh.
1990s: Globalization & Cultural Shifts
- Themes of materialism, identity, and gender roles.
- Mirch Masala challenged gender norms.
- Astitva examined patriarchy, extramarital relations.
- Literary adaptations:
- – The Play of God (Malayalam)
- – Antareen (Mrinal Sen)
Contemporary Cinema & Regional Renaissance (2000s–2025)
Early 2000s: Realism & Social Critique
- Films like Chandni Bar, Black Friday explored underworld violence, exploitation.
- The Namesake addressed migration and identity.
- Women-centric films: Pink, Jaya Jaya Jaya Jaya Hey.
- LGBTQ+ representation: Kaathal, Samo – The Equals.
Post-2020: OTT Revolution
- OTT gave space to regional films traditionally overlooked in theatres.
- Breakout regional films:
- – The Great Indian Kitchen (Malayalam)
- – Court, Sairat (Marathi)
- Technical advancement comparable to Hollywood (e.g., Baahubali).
Note:
- India hosts the world’s largest film industry by volume, producing over 2,000 films each year across 20+ languages, making it one of the most diverse and globalized cinematic ecosystems.
- The Hindi, Telugu, and Tamil industries constitute its three biggest production centers.
Contribution of the Indian Diaspora
The Indian diaspora has helped promote Indian cinema globally, boosting film visibility and cultural reach.
Chapter 2: Cinema and Indian Society
Cinema in India acts as a major socio-cultural institution, shaping public attitudes, influencing social norms, and reflecting diversity across regions and classes.
- Its vast reach allows it to promote awareness, social reform, and national integration, but it can also reinforce stereotypes, commercialization of culture, and social biases.
A. Positive Impacts
1. Global Recognition of Indian Culture
- International successes such as RRR and The Elephant Whisperers have enhanced India’s global cultural footprint and fostered national pride.
2. Reflection of India’s Cultural Diversity
- Indian cinema showcases regional traditions, aesthetics, and customs:
- Dedh Ishqiya → Nawabi culture of Lucknow
- Piku → Bengali domestic and cultural ethos
- Khoobsurat → Rajasthani palaces and heritage
3. Changing Family Values
- 1960s: Films like Khandaan depicted families shaped by societal expectations and patriarchal norms.
- Later cinema explored:
- Illegitimacy: Masoom, Kal Ho Na Ho
- Extramarital relationships & divorce: Kabhi Alvida Naa Kehna
- Emotional bonds in nuclear families: Goodbye, which highlighted intergenerational gaps and evolving emotional expression.
4. Women Empowerment and Education
- Durga Sohay (Bengali): The protagonist emerges as a symbol of resilience and strength, reflecting the spirit of Goddess Durga.
- Nil Battey Sannata: Demonstrates education as a transformative tool, with a mother returning to school to motivate her daughter.
5. Cinema as a Tool for Social Change
(a) Raising Awareness on Health and Social Issues
- Paa: Introduced audiences to progeria.
- Taare Zameen Par: Sensitised society towards dyslexia.
(b) Advancing LGBTQ+ Rights
- Fire and Aligarh sparked critical conversations on gender identity, dignity, and human rights.
(c) Influencing Nationalistic and Civic Views
- Tamil cinema such as Muthu and Bollywood films like Swadesh reinforced civic responsibility, nationalism, and social consciousness.
B. Negative Impacts of Cinema on Society
A. Gender Stereotypes and Toxic Masculinity
- Objectification of women through item songs remains prevalent.
- Films like Kabir Singh and Animal glorify aggression and unhealthy male behaviour.
- Domestic violence is trivialised in movies such as Hum Tumhare Hain Sanam and Pushpa.
B. Promotion of Unrealistic Body Standards
- Cinema often reinforces:
- Fair-skin bias in casting.
- Body shaming, where both thin and overweight individuals are mocked.
C. Questioning Traditional Family Institutions
- Films like OK Jaanu normalise live-in relationships and modern liberal values, challenging conservative family norms.
D. Cultural Dilution and Shifts in Preferences
- Growing prominence of:
- Western dance forms (hip-hop, jazz)
- Western-inspired music (rap)
- This sometimes overshadows classical Indian traditions such as Kathak and Bharatnatyam.
- This sometimes overshadows classical Indian traditions such as Kathak and Bharatnatyam.
E. Poor Representation of Vulnerable Communities
- LGBTQ+ identities mocked in Dostana.
- Disabilities ridiculed in films like Golmaal (speech impairment, blindness, etc.).
F. Glorification of Substance Abuse
- Films such as Dev D portray smoking, drinking, and drug use as fashionable or as coping mechanisms, influencing youth behaviour.
G. Political Propaganda and Social Division
- Certain films weaponise emotions and historical grievances to promote partisan ideologies, often deepening social and political divides.
Indian cinema remains a powerful tool of mass communication, capable of driving social change, celebrating cultural plurality, and shaping public consciousness. Yet issues of stereotyping, sensationalism, and politicization call for greater ethical responsibility. Balancing creative freedom with social accountability is vital to ensure cinema strengthens India’s social fabric rather than distorts it.
Chapter 3: Institutions, Regulations, and Regulatory Framework
India’s cinema operates under a structured institutional and regulatory framework involving bodies like CBFC, NFDC, NFAI, DFF, and key laws such as the Cinematograph Act, BNS 2023, and Cable TV Act.
- These collectively guide film certification, preservation, content standards, and industry development, ensuring cinema aligns with public order, morality, and cultural sensitivity.
Major Film Awards in India
- Dadasaheb Phalke Award – India’s highest honor in cinema, conferred for outstanding contribution to the growth and development of Indian film industry.
- National Film Awards – Government of India confers the Swarna Kamal (Golden Lotus) for the Best Feature Film annually.
- Other major recognitions include IIFA Awards, Screen Awards, and various State Film Awards.
Key Institutions in Indian Cinema
- Films Division of India (1948)- The Films Division of India, headquartered in Mumbai, produces documentaries, short films, and animation, with a core focus on national programmes, heritage documentation, and public awareness.
- Central Board of Film Certification (CBFC)- The CBFC, a statutory body under the Cinematograph Act, 1952, headquartered in Mumbai with nine regional offices (Mumbai, Kolkata, Chennai, Bengaluru, Cuttack, Guwahati, Hyderabad, New Delhi, Thiruvananthapuram), is responsible for film certification prior to public exhibition.
- National Film Development Corporation (NFDC), 1975- The NFDC acts as the nodal agency for promoting the integrated development of Indian cinema, supporting film production, marketing, and international co-productions/collaborations.
- National Film Archive of India (1964)- The National Film Archive of India works for preservation of national and world cinema, documentation of film prints and archival material, and promotion of film culture at national and international platforms.
- Directorate of Film Festivals (1973)- The Directorate of Film Festivals (DFF) organises the International Film Festival of India (IFFI), conducts the National Film Awards and the Dadasaheb Phalke Award, manages the Indian Panorama, facilitates cultural exchange, coordinates international film showcases, and maintains festival documentation.
- Children’s Film Society of India (1955)- The Children’s Film Society of India (CFSI), headquartered in Mumbai, produces and distributes children’s films in multiple Indian languages, aiming to provide value-based and culturally rooted entertainment for children.
Regulation of Cinema Content
- Bharatiya Nyaya Sanhita (BNS), 2023- The BNS, 2023 includes penal provisions against obscenity, public indecency, and content harmful to public order, morality, and societal harmony.
- Indecent Representation of Women (Prohibition) Act, 1986- This Act prohibits indecent, derogatory, or objectifying portrayal of women across media—including print, cinema, digital platforms, and advertising.
- Cable Television Networks (Regulation) Act, 1995- The Act enforces adherence to the Programme Code and Advertisement Code, ensuring decency, morality, accuracy, and fairness in broadcast content on cable networks.
- Cinematograph Act, 1952- The Cinematograph Act governs film certification through the CBFC, ensuring compliance with standards related to public order, morality, national security, sovereignty, and artistic integrity before release.
- Advertising Standards Council of India (ASCI)- The ASCI is a self-regulatory body that monitors advertising content to curb misleading, harmful, insensitive, or culturally inappropriate advertisements across media.
India’s film governance framework balances creative freedom with social responsibility through strong institutions and regulations. To stay relevant in the digital era, reforms must enhance clarity, accountability, and adaptability, ensuring a vibrant and globally competitive film industry.
Chapter 4: Indian Cinema & It’s Role in Soft Power Diplomacy
Indian cinema, encompassing Bollywood and regional industries, has become a major global cultural ambassador. Reflecting India’s values and diversity, it today serves as a key instrument of India’s soft power.
Indian Cinema as a Pillar of India’s Soft Power
- Projection of Culture and Values- Drawing from Joseph Nye’s concept of soft power as influence through attraction, Indian cinema has acted as a cultural ambassador.
- Through themes of family bonds, social harmony, non-violence, spirituality, and resilience, Indian films introduce global audiences to Indian civilisational values.
- Films like Lagaan, Swadesh, and RRR highlight cultural pride and national ethos, reinforcing India’s global image.
- Global Reach and Popularity- Indian cinema enjoys significant viewership across South Asia, the Middle East, Africa, Europe, Russia, and East Asia.
- Bollywood stars have become global icons, while regional cinema—Tamil, Telugu, Malayalam—has expanded India’s cultural footprint.
- The success of Dangal in China, Baahubali across Asia, and The Elephant Whisperers on global platforms demonstrates cinema’s role in shaping positive perceptions.
- Unique Storytelling and Cultural Expression- Indian cinema blends music, dance, emotional depth, and colorful aesthetics, creating a distinct narrative style.
- This uniqueness differentiates India in a globalised media space, reinforcing cultural identity while appealing to diverse audiences.
- Genres spanning romance, social drama, mythology, and contemporary issues make Indian cinema both inclusive and globally relatable.
- Cultural Diplomacy and People-to-People Ties- Cinema aids diplomacy by fostering cross-cultural understanding.
- Iconic songs, dialogues, and characters have permeated global pop culture, strengthening India’s soft influence.
- Film festivals, international co-productions, and global award recognitions further enhance India’s diplomatic outreach.
Relevance in the Context of India’s Cultural Diversity
- Showcasing India’s Pluralism- Indian cinema reflects India’s linguistic, regional, and cultural diversity— from Punjabi folk narratives to Tamil historical epics, Bengali art films, and Marathi social dramas.
- This diversity strengthens India’s soft power by showcasing unity in diversity, one of India’s strongest cultural assets.
- Platform for Marginalized Voices- Contemporary films increasingly highlight issues of gender justice, caste inequality, LGBTQ+ rights, disability, and social reform. This strengthens India’s identity as an inclusive, progressive democracy committed to human dignity.
Relevance to India’s Global Aspirations
- Enhancing India’s Global Brand- As India aspires to become a leading global power, cinema supports this ambition by projecting an image of a modern, democratic, culturally confident nation. It aids nation branding in tourism, investment, and international cooperation.
- Economic Contribution and Global Visibility- The Indian film industry—one of the largest globally— contributes substantially to GDP, employment, and creative exports. International collaborations and streaming platforms amplify India’s global presence.
- Soft Power in the Asian Century- As India deepens engagements in the Indo-Pacific, Africa, and Europe, cinema serves as a strategic tool to build goodwill, counter stereotypes, and expand India’s influence through non-coercive means.
Indian cinema effectively projects India’s cultural diversity and values, making it a key instrument of soft power. As India pursues greater global influence, cinema will continue to strengthen its international image and diplomatic outreach.
Chapter 5: Cinematograph (Certification) Rules, 2024
The Cinematograph (Certification) Rules, 2024 modernise India’s film certification system, aligning it with technological advancements, digital workflows, and global standards. These rules complement the Cinematograph (Amendment) Act, 2023, aiming to create a transparent, efficient, and inclusive regulatory ecosystem.
- It aims to establish a technology-driven, audience-sensitive, and globally competitive certification framework that enhances ease of doing business, ensures content suitability, and promotes inclusive access.
Key Provisions
- Complete Digital & Time-Bound Certification- The rules fully shift certification to a digitised platform, reducing processing delays, improving transparency, and accelerating decision-making—boosting the film industry’s regulatory efficiency.
- Mandatory Accessibility Features- Films must incorporate accessibility features (subtitles, audio descriptions, etc.), promoting inclusivity and aligning with Rights of Persons with Disabilities (RPwD) principles.
- Age-Based Sub-Categorization- The traditional UA category is refined into UA 7+, UA 13+, and UA 16+, supporting age-appropriate viewing and enhancing parental guidance mechanisms.
- Gender Representation in CBFC- Mandates one-third women in the CBFC Board and encourages 50% women in Advisory Panels, strengthening gender-sensitive content evaluation.
- Priority Screening Facility- Introduces priority screening for filmmakers with urgent release commitments, fostering industry responsiveness and improving ease of compliance.
- Perpetual Certificate Validity- Removes the earlier 10-year limit, granting perpetual validity to film certificates—beneficial for long-term distribution, archiving, and OTT/TV releases.
- Recertification for TV Broadcast- Films edited for television require fresh certification, ensuring only U-category or appropriately modified versions reach family-oriented audiences.
Significance
- Contemporary & Tech-Aligned Governance- Reflects shifts in film technology, OTT consumption, and audience diversity, making the system adaptive and modern.
- Strengthened Regulatory Architecture- Creates synergy with the 2023 Cinematograph amendments, reinforcing anti-piracy measures, accountability, and institutional clarity.
- Better Ease of Doing Business- Digital workflows, faster timelines, and priority screenings enhance the creative sector’s productivity and reduce compliance burdens.
- Inclusive & Ethical Certification- Accessibility mandates and increased women’s representation contribute to a more equitable, sensitive, and socially responsible certification regime.
The Cinematograph (Certification) Rules, 2024 mark a move toward a modern, inclusive, and industryfriendly regulatory regime. By integrating digital systems, refining age classifications, ensuring accessibility, and promoting gender representation, the rules strengthen India’s cultural governance and support the country’s expanding creative economy while safeguarding public interest.
UPSC MAINS PRACTICE QUESTIONS
Q.1 “Indian cinema mirrors societal realities while simultaneously shaping public attitudes.” Discuss the positive and negative impacts of Indian cinema on Indian society, with suitable examples.
Q.2 Critically analyse the Cinematograph (Certification) Rules, 2024. How do the new provisions address technological advancements and evolving audience demographics?
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