{"id":4967,"date":"2024-01-09T11:07:29","date_gmt":"2024-01-09T11:07:29","guid":{"rendered":"https:\/\/www.nextias.com\/blog\/?p=4967"},"modified":"2025-09-22T12:42:09","modified_gmt":"2025-09-22T12:42:09","slug":"ayodhya-ram-mandir","status":"publish","type":"post","link":"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/","title":{"rendered":"Ram Mandir: Important Facts, Architecture &amp; Other Aspects"},"content":{"rendered":"\n<p><em>Shri <strong>Ram Mandir<\/strong>, popularly known as Ayodhya Ram Mandir, is a Hindu temple located in Ayodhya, Uttar Pradesh. As the name suggests, the temple is dedicated to Lord Shri Rama and is believed to have been built at Ram Janmabhoomi (the birthplace of Lord Shri Rama). This Ram Temple reflects the cultural and spiritual heritage associated with Lord Rama and holds immense cultural and religious significance for the Hindus.<\/em><\/p><div id=\"ez-toc-container\" class=\"ez-toc-v2_0_56_1 counter-hierarchy ez-toc-counter ez-toc-transparent ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<span class=\"ez-toc-title-toggle\"><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Important_Facts_about_Ram_Mandir\" title=\"Important Facts about Ram Mandir\">Important Facts about Ram Mandir<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Major_Construction_Materials_Used\" title=\"Major Construction Materials Used\">Major Construction Materials Used<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Major_Architectural_Highlights_of_Ram_Mandir\" title=\"Major Architectural Highlights of Ram Mandir\">Major Architectural Highlights of Ram Mandir<\/a><ul class='ez-toc-list-level-3'><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Foundation\" title=\"Foundation\">Foundation<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#The_Main_Temple\" title=\"The Main Temple\">The Main Temple<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#The_Temple_Complex\" title=\"The Temple Complex\">The Temple Complex<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Other_Architectural_Facets\" title=\"Other Architectural Facets\">Other Architectural Facets<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#The_Nagara_Style_of_Temple_Architecture\" title=\"The Nagara Style of Temple Architecture\">The Nagara Style of Temple Architecture<\/a><ul class='ez-toc-list-level-3'><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Basic_Elements_of_Hindu_Temple\" title=\"Basic Elements of Hindu Temple\">Basic Elements of Hindu Temple<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Prominent_Features_of_Nagara_School_of_Architecture\" title=\"Prominent Features of Nagara School of Architecture\">Prominent Features of Nagara School of Architecture<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Significance_of_Ram_Mandirs_Construction\" title=\"Significance of Ram Mandir\u2019s Construction\">Significance of Ram Mandir\u2019s Construction<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Ram_Mandir_and_Ayodhyas_Rejuvenation\" title=\"Ram Mandir and Ayodhya\u2019s Rejuvenation\">Ram Mandir and Ayodhya\u2019s Rejuvenation<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/www.nextias.com\/blog\/ayodhya-ram-mandir\/#Learnings_from_the_Ram_Mandir_Construction_Project\" title=\"Learnings from the Ram Mandir Construction Project\">Learnings from the Ram Mandir Construction Project<\/a><\/li><\/ul><\/nav><\/div>\n\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eRak6VU3bl8?si=00SRXyrtNNmNrnSd\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n\n\n\n<p>This article of NEXT IAS aims to explain the diverse features of this revered temple along with its architectural design and multi-dimensional significance.<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/lh7-us.googleusercontent.com\/93DrMfP0cV4w6XXPg1ktuox7I0WICTvLRH_z-NQLN3giAw4yKNNLMemk8qUlhq91-AVDzHz2lVlqd3mlFpwDa0s9u-Lh0RJ6jFmgngWEUmouHs_pQtE0CAIvrO-fNAc7VHe6-PciKY_SONu_Vi4gCp8\" alt=\"Ayodhya Ram Mandir\" style=\"width:649px;height:auto\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Important_Facts_about_Ram_Mandir\"><\/span><strong>Important Facts about Ram Mandir<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-regular\"><table class=\"has-background\" style=\"background-color:#fff2cc\"><tbody><tr><td><strong>Chief Architects<\/strong><\/td><td>Chandrakant Sompura, and his two sons &#8211; Nikhil Sompura and Ashish Sompura.<\/td><\/tr><tr><td><strong>Design Advisors<\/strong><\/td><td>IIT Guwahati, IIT Chennai, IIT Bombay, NIT Surat, Central Building Research Institute Roorkee, National Geo Research Institute Hyderabad, and the National Institute of Rock Mechanics.<\/td><\/tr><tr><td><strong>Construction Company<\/strong><\/td><td>Larsen and Toubro (L&amp;T)<\/td><\/tr><tr><td><strong>Project Management Company<\/strong><\/td><td>Tata Consulting Engineers Limited ( TCEL)<\/td><\/tr><tr><td><strong>Sculptors<\/strong><\/td><td>Arun Yogiraaj (Mysore), Ganesh Bhatt and Satyanarayan Pandey<\/td><\/tr><tr><td><strong>Total Area<\/strong><\/td><td>70 Acre (70% green Area)<\/td><\/tr><tr><td><strong>Temple Area<\/strong><\/td><td>2.77 Acre<\/td><\/tr><tr><td><strong>Temple Dimensions<\/strong><\/td><td>Length &#8211; 380 Ft.<br>Width &#8211; 250 Ft.<br>Height &#8211; 161 Ft.<\/td><\/tr><tr><td><strong>Architectural Style<\/strong><\/td><td>Indian Nagar Style<\/td><\/tr><tr><td><strong>Architectural Highlights<\/strong><\/td><td>3 stories (floors)<br>392 pillars<br>44 doors<\/td><\/tr><tr><td><strong>Bhoomi Pujan<\/strong><\/td><td>5th August 2020<\/td><\/tr><tr><td><strong>Proposed Date of Inauguration<\/strong><\/td><td>22nd January 2024<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/lh7-us.googleusercontent.com\/AukjwIpcV2GhubQpWKIE8q1txAXx_Y6amGk4EGHzT0yt1U8I_k_xh7h4FpgjBPcxrlMy1TE3fCBU9cTWckICOWsD_d_yaBrx3FtUSsxu6RkXsc6SY0I6fRq7CtFsgwBH7IwpNZjpwQH2nkTJeeiMUss\" alt=\"\" style=\"width:730px;height:auto\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Major_Construction_Materials_Used\"><\/span><strong>Major Construction Materials Used<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The use of <strong>Steel <\/strong>or <strong>Iron <\/strong>has been <strong>completely avoided<\/strong> in the construction of <strong>Ram Mandir<\/strong>. Instead, traditional construction materials have been used in its construction to reflect an alignment with traditional building practices along with an emphasis on sustainability.&nbsp;<\/p>\n\n\n\n<p>Major construction materials used in the construction of Ram Mandir are:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Bansi Paharpur Pink Sandstone <\/strong>from Rajasthan\u2019s Bharatpur district have been used in the main temple structure.<\/li>\n\n\n\n<li><strong>Granite Stones<\/strong> have been used in the plinths<\/li>\n\n\n\n<li><strong>White Makrana<\/strong> and <strong>Colored Marbles<\/strong> have been used for the inlay work<\/li>\n\n\n\n<li><strong>Teakwood <\/strong>has been used for the construction of the doors of the temple.<\/li>\n\n\n\n<li><strong>Special Bricks <\/strong>with \u201cShri Ram\u201d inscribed on them have been used in its construction.\n<ul class=\"wp-block-list\">\n<li>These bricks, named <strong>Ram Shilas<\/strong>, draw a parallel with the stones used in the construction of Ram Setu, thus intertwining modern craftsmanship with ancient symbolism.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Other Materials Used: <\/strong>Shaligram Rock, Copper Plates, Gold, and Ashtdhatu<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/lh7-us.googleusercontent.com\/WouAZ83lgj7tahEJD5NzI9x2XutgwSwY27_cWrR-1kFI32TIXqjMPGYgZ04f58eY1py_jq7JP3GqY9k6y3xSXhJQ4V9KNSPuTK6PHRMw0R5yXilm_6_XdVnhnuInDKHlJ6fUjoobesURlYohmSg4UDY\" alt=\"Construction of Ayodhya Ram Mandir\" style=\"width:873px;height:auto\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Major_Architectural_Highlights_of_Ram_Mandir\"><\/span><strong>Major Architectural Highlights of Ram Mandir<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The grand dimensions and intricate details of the temple design can be summed up as a blend of artistic vision and traditional architectural prowess. Around 550 temples across India were studied to find the best possible architectural design for the Ram Mandir.&nbsp;<\/p>\n\n\n\n<p><strong>Some of the major architectural highlights of Ram Mandir can be seen as follows:<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Foundation\"><\/span><strong>Foundation<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A 14-metre thick layer of roller-compacted concrete, looking like an artificial rock, has been used to construct the foundation of the temple.<\/li>\n\n\n\n<li>A 21-foot-high plinth of Granite has been constructed for protection against ground moisture.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Main_Temple\"><\/span><strong>The Main Temple<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The main temple is built in <strong>Nagara Style<\/strong>.&nbsp;<\/li>\n\n\n\n<li>The original design for Ram Mandir was developed in 1988 by the Sompura family of Ahmedabad. However, in 2020, the old design was modified as per the Vastu Shastra and the Shilpa Shastra.\n<ul class=\"wp-block-list\">\n<li>This reflects a conscious effort to blend aesthetic grace with ancient wisdom.<\/li>\n\n\n\n<li>The Sompura family has a rich legacy of temple craftsmanship and has been associated with the design of some renowned Indian temples such as Somnath. Thus, their association brings a sense of continuity to the architectural design of the <strong>Ram Mandir<\/strong> and adds a historical and artistic dimension to it.&nbsp;<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>The Mandir will have three stories (floors), with each story designed to give the devotees an experience of the various stages of Lord Rama\u2019s divine journey.\n<ul class=\"wp-block-list\">\n<li>The ground floor of the temple has been designed to depict the story of the birth and childhood of Lord Rama.<\/li>\n\n\n\n<li>The first floor is designed like Lord Rama\u2019s Darbaar.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>The revered temple consists of a total of five Mandaps (Hall) &#8211; Nritya Mandap, Rang Mandap, Sabha Mandap, Prarthna, and Kirtan Mandaps.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-us.googleusercontent.com\/WNMDi2NWRi1Wr_DXnRbc4I9SIMyC3mVNShXK_TKw0ScLYUogexNYoTnvsxkpjGOQ4i4FBP_QiHEjCfHmW9Yteow4q3JKbopgjsi80cUfXhEzEIZUpsMxd5g2P09YbkDF4Xs9T_O1mNGknQqt6eOHHjo\" alt=\"Shri Ram Mandir\n\"\/><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The temple has a total of 44 doors, of which some will be coated with 100 kg gold.\n<ul class=\"wp-block-list\">\n<li>The main entrance to the temple is called the Singh Dwar. This entrance features a series of statues and busts of prominent characters from Ramayana.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>The pillars as well as walls of the temple are adorned with statues of deities as well as intricate carvings depicting India\u2019s century-old history.<\/li>\n\n\n\n<li>All along the parikrama path, 100 events from Valmiki\u2019s Ramayana have been engraved on the walkways and columns. The idea is to present Ram Katha Darshan.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Temple_Complex\"><\/span><strong>The Temple Complex<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The temple is surrounded by a rectangular compound wall, called Parkota.\n<ul class=\"wp-block-list\">\n<li>The total length of this wall is 732 metres and its width is 14 feet.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Along with the main Ram Mandir, the temple complex consists of several other religious structures:\n<ul class=\"wp-block-list\">\n<li>One temple has been built at each of the four corners of the compound. These temples are dedicated to Surya Dev, Devi Bhagwati, Ganesh Bhagwan, and Lord Shiva.&nbsp;<\/li>\n\n\n\n<li>The northern arm of the temple complex consists of a temple of Maa Annapurna and in the southern arm, there is a temple of Lord Hanuman.<\/li>\n\n\n\n<li>A historic well called Sita Koop is located near the temple. This dates back to the ancient era.<\/li>\n\n\n\n<li>Some other temples proposed to be constructed within the temple complex are those dedicated to Maharishi Vashishtha, Maharishi Valmiki, Maharishi Vishwamitra, Maharishi Agastya, Nishad Raj, Devi Ahilya, and Mata Shabri.<\/li>\n\n\n\n<li>Kuber Tila is located in the southwestern part of the complex. The ancient temple of Lord Shiva located in this part has been restored. Also, a bronze idol of the Ramayana character \u2018Jatayu\u2019 has been installed here.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>The temple complex consists of several independent infrastructures of its own\n<ul class=\"wp-block-list\">\n<li>A sewage treatment plant<\/li>\n\n\n\n<li>A water treatment plant<\/li>\n\n\n\n<li>A fire service<\/li>\n\n\n\n<li>An independent power station.<\/li>\n\n\n\n<li>A Pilgrims Facility Centre of 25,000 capacity to provide medical facilities and locker facilities to the pilgrims.<\/li>\n\n\n\n<li>A separate block with a bathing area, washrooms, washbasin, open taps, etc.<\/li>\n\n\n\n<li>Learning from the damage caused by lightning strikes to some old temples in Mathura and Kashi, around 200 KA light arresters have been installed over the temple structure.<\/li>\n\n\n\n<li>The temple complex includes a museum showcasing artifacts related to Lord Ram and the Ramayana. Thus. more than just a religious center, the Ram Mandir has been envisioned as a cultural and educational center as well.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Other_Architectural_Facets\"><\/span><strong>Other Architectural Facets<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A time capsule has been placed approximately 2,000 feet below the ground, right underneath the temple. The capsule contains a copper plate inscribed with relevant information regarding the Ram Mandir, Lord Rama, and Ayodhya.\n<ul class=\"wp-block-list\">\n<li>The purpose of this time capsule is to ensure that the identity of the temple remains intact over time so that it doesn\u2019t get forgotten in the future.&nbsp;<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>The temple is an earthquake-resistant structure, with an estimated age of 2500 years.<\/li>\n\n\n\n<li>The idols are made up of 60 million years old Shaligram Rocks, brought from the Gandaki River (Nepal)<\/li>\n\n\n\n<li>The Bell is made of Ashtadhatu (Gold, Silver, Copper, Zinc, Lead, Tin, Iron, and Mercury)\n<ul class=\"wp-block-list\">\n<li>The Bell weighs 2100 Kg<\/li>\n\n\n\n<li>The sound of the bell can be heard up to a distance of 15 Km.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/lh7-us.googleusercontent.com\/aOgw-rz-W-7zpbC9gXRgTxBP_wcRCwOAi-tGoq6Bu7np3rqHqTY0uYj-P5FmKCKyNs6jg_QwxzLuhCFXUEKDakMS-nllerwJ4-Lj8QAPfJka5VDwZd_FGZEh-zUBdm7BcTkRmvBhMPgPXnHhbGA5YXQ\" alt=\"Ayodha Ram Mandir Bell\" style=\"width:165px;height:auto\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Nagara_Style_of_Temple_Architecture\"><\/span><strong>The Nagara Style of Temple Architecture<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>This is a style of temple architecture that developed around the 5th century AD onwards and has been prevalent in North India since then. Apart from some basic elements possessed by all Hindu temples, this temple style possesses some unique features of its own.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Basic_Elements_of_Hindu_Temple\"><\/span><strong>Basic Elements of Hindu Temple<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Sanctum Sanctorum <\/strong>&#8211; It is also known as Grabhgriha. It is a small room which houses the principal deity of the temple.&nbsp;<\/li>\n\n\n\n<li><strong>Mandapa<\/strong> &#8211; It refers to a portico or assembly hall which leads to the Sanctum Sanctorum.&nbsp;<\/li>\n\n\n\n<li><strong>Shikhara<\/strong> &#8211; It refers to a mountain-like spire. Its shape may vary from pyramid to curvilinear.<\/li>\n\n\n\n<li><strong>Vahana<\/strong> &#8211; It refers to the mount or vehicle of the main deity. It is placed just before the sanctum sanctorum.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Prominent_Features_of_Nagara_School_of_Architecture\"><\/span><strong>Prominent Features of Nagara School of Architecture<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Panchayatan Style wherein the main shrine is built on a rectangular plinth at the center of the temple complex. Along with this, four subsidiary shrines that are smaller in size are built at the 4 corners of the temple complex.<\/li>\n\n\n\n<li>Images of river goddesses, Ganga and Yamuna, are placed outside the Garbhagriha.&nbsp;<\/li>\n\n\n\n<li>The temple is usually constructed on an upraised platform.<\/li>\n\n\n\n<li>The portico has a pillared approach.<\/li>\n\n\n\n<li>The vertical end of Shikhara is shaped like a horizontal fluted disc, called Amalak. On the top of the Amalak, a spherical shape is placed, called Kalash.<\/li>\n\n\n\n<li>There is an ambulatory passageway around the sanctum sanctorum, called Pradakshina Path.<\/li>\n<\/ul>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lh7-us.googleusercontent.com\/DERA1Aru1C2PhcDRixHDJepAYIMC4iBgWngW3wsEl-jpVlc45G_GCgh6gvv3ZUluDyPdiyS1asCzmuu8pGjZxoEoi1ZhaFQHJuzBv8OzeodOKCfv7T7gEfOPLGmZ5PkNCcc2Nnk2c3nkzA1JIdWt6Xs\" width=\"483\" height=\"343\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Significance_of_Ram_Mandirs_Construction\"><\/span><strong>Significance of Ram Mandir\u2019s Construction<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Religious Significance:<\/strong> With the completion of the construction of Ram Mandir, the decades of religious clashes between Hindus and Muslims came to an end. This will promote religious harmony in the country.&nbsp;<\/li>\n\n\n\n<li><strong>Cultural Significance:<\/strong> The Ayodhya and Ram Mandir are considered a symbol of the historical and cultural heritage of the country. Thus. construction of the temple is a step towards celebrating and preserving India&#8217;s cultural heritage.&nbsp;<\/li>\n\n\n\n<li><strong>Promotion of Social Service:<\/strong> A large number of charitable institutions are expected to come up around the temple. These institutions will promote social service.&nbsp;<\/li>\n\n\n\n<li><strong>Economic Significance: <\/strong>The Ram Mandir, as one of the main shrines of the Hindus, will boost tourism in the Ayodhya region. This, in turn, will stimulate economic growth in the region and create jobs.<\/li>\n\n\n\n<li><strong>Infrastructural Significance:<\/strong> The construction of the Ram Temple has initiated the process of the infrastructural development of the Ayodhya region. Major infrastructure projects such as roads, and airports, followed by some industries are expected to come up in the region.&nbsp;<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ram_Mandir_and_Ayodhyas_Rejuvenation\"><\/span><strong>Ram Mandir and Ayodhya\u2019s Rejuvenation<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The construction of the Ram Temple has set the stage for the transformation of Ayodhya from an ancient city to a modern cultural and spiritual hub. With more than three lakh devotees expected to visit the city daily, a comprehensive plan for the redevelopment of Ayodhya has been prepared<\/p>\n\n\n\n<p>The plan has been prepared after studying similar examples from across the world, including Vatican City, Cambodia, and Jerusalem, as well as those from India, such as Tirupati and Amritsar. Some of the important highlights of the plan include &#8211; minimization of congestion, efficient land use, a focus on Dharamshalas (inns) and homestays, and upgrading the infrastructure while retaining the historical and cultural character of the city.<\/p>\n\n\n\n<p>Towards the implementation of the redevelopment plan, the government has launched over 200 developmental projects worth Rs 30,923 crores aimed at the makeover of the city. Some of the important projects launched for the rejuvenation of Ayodhya are:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Modern infrastructure, such as roads, bridges, sewage systems, and utilities are being designed to accommodate the needs of a growing population and tourism.<\/li>\n\n\n\n<li>A series of beautification projects have been launched to beautify the entire city, including old Ashrams, ancient ponds, and temples. These projects aim to make Ayodhya \u201cthe most beautiful city in the world by 2024\u201d<\/li>\n\n\n\n<li>Development of the Maryada Purshottam Shri Ram International Airport<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-us.googleusercontent.com\/Vdd5JFeSbp5gwpU-8l0MrgfzJXOpztn8d8IVs8UJN_IBHW52XPtcg_MN_eYNlOLSz_lS0Rv-nJoRrRadzSSTcGIPKfjTsVgMmDrKhRWJ045MPjkG_-AjLZlJQpFi8FMXvGzjYpZuLWEBTGQD6kQEH88\" alt=\"Ram Mandir and Ayodhya\u2019s Rejuvenation\"\/><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rejuvenation of Ayodhya Junction along with flagging off six Vande Bharat and two Amrit Bharat trains.<\/li>\n\n\n\n<li>Widening of roads leading to the Ram Temple is being done to ensure smooth traffic movement up to the temple.\n<ul class=\"wp-block-list\">\n<li>Some of the important roads selected for widening are Ram Janmabhoomi Path, Bhakti Path, Ram Path corridor, etc<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Construction and widening of the National Highways and other important roads that pass through Ayodhya city.\n<ul class=\"wp-block-list\">\n<li>Some of the important such roads are the Lucknow-Ayodhya section of NH-27, the EPC mode of Ayodhya bypass on NH-27, etc<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Construction of new river fronts and rehabilitation of pre-built ghats.\n<ul class=\"wp-block-list\">\n<li>The 7 KM stretch from Guptar Ghat to Naya Ghat is being developed on the line of the Gomti River Front.<\/li>\n\n\n\n<li>A luxury cruise from the Naya Ghat is also planned.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Construction of some township and residential projects such as the Greenfield Township Project, Vashishtha Kunj Residential Project, etc<\/li>\n\n\n\n<li>Theme parks, resorts, and hotels are being developed in the city.&nbsp;<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Learnings_from_the_Ram_Mandir_Construction_Project\"><\/span><strong>Learnings from the Ram Mandir Construction Project<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Indigenization of technologies: <\/strong>The temple has been constructed using entirely India\u2019s traditional and indigenous technology.<\/li>\n\n\n\n<li><strong>Incorporation of Modern Technology: <\/strong>Advanced digital documentation techniques, including 3D mapping and virtual reality, have been employed to preserve the construction process and details. This is aimed to enable future generations to experience and study the temple\u2019s construction in a technologically advanced manner.<\/li>\n\n\n\n<li><strong>Secularism: <\/strong>The participation of people from various religious communities in the construction of the Ram Mandir has added to fostering the secular fabric of the nation.&nbsp;<\/li>\n\n\n\n<li><strong>Cultural Integration: <\/strong>Holy water from 150 rivers across India was used in the Bhoomi Pujan ceremony. This ritual signified that the temple stands as a testament to broader cultural integration and also underscored the most fundamental feature of Indian society &#8211; unity in diversity.<\/li>\n\n\n\n<li><strong>Social Inclusion: <\/strong>Ramps and lifts have been installed in the temple for the convenience of the differently-abled and elderly.<\/li>\n\n\n\n<li><strong>Environmental Sustainability: <\/strong>Special emphasis has been put on eco-friendly practices in the temple\u2019s construction.\n<ul class=\"wp-block-list\">\n<li>Its constructional aspects put special emphasis on environment and water conservation. E.g. 70% of the temple complex area has been left green.<\/li>\n\n\n\n<li>The use of locally sourced materials and energy-efficient design elements is aimed at ensuring the focus on sustainability and minimizing environmental impact.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Conservation and Preservation: <\/strong>Placing a Time Capsule underneath the temple is a forward-looking gesture that reflects a commitment to preserving the cultural and historical significance of the temple for future generations.<\/li>\n\n\n\n<li><strong>Transparency: <\/strong>Throughout the construction of the temple, complete transparency was maintained in reporting the progress. This kept the devotees informed and engaged in the temple\u2019s development.<\/li>\n\n\n\n<li><strong>Cultural Diplomacy: <\/strong>Soil from Thailand is to be used in the consecration ceremony of Lord Rama\u2019s statute. Along with reinforcing the universal appeal of Ayodhya as a spiritual center, this symbolizes that Lord Rama\u2019s legacy transcends geographical boundaries.<\/li>\n<\/ul>\n\n\n\n<p>In conclusion, more than just a religious temple, the Ram Mandir represents a confluence of faith, history, and architectural brilliance. The temple stands as a testament to the enduring legacy of Lord Rama and the collective spirit of the nation. With the temple expected to serve as a beacon, guiding the spiritual and cultural aspirations of future generations, the construction of the temple is just the start of India\u2019s cultural renaissance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shri Ram Mandir, popularly known as Ayodhya Ram Mandir, is a Hindu temple located in Ayodhya, Uttar Pradesh.<\/p>\n","protected":false},"author":9,"featured_media":5034,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[786],"tags":[73],"class_list":["post-4967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-culture","tag-gs-1"],"_links":{"self":[{"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/posts\/4967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/comments?post=4967"}],"version-history":[{"count":32,"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/posts\/4967\/revisions"}],"predecessor-version":[{"id":22073,"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/posts\/4967\/revisions\/22073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/media\/5034"}],"wp:attachment":[{"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/media?parent=4967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/categories?post=4967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nextias.com\/blog\/wp-json\/wp\/v2\/tags?post=4967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}